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Description
boss katana 100 pedal Boss Katana 100 2x12 V2 Guitar Combo Amplifier – Chicago Music ExchangeCRAFTED TONES, FORGED FOR ROCK With 100 watts of power and two custom 12 inch speakers, the Katana 100 212 delivers a commanding range of gig worthy tones that gracefully slice through any band scenario. The amp also excels for home playing, with a uniquely efficient design and innovative Power Control that provides inspiring sound and response at low volumes. In addition, the Katana 100 212 includes integrated access to a huge range of BOSS effects,
CRAFTED TONES, FORGED FOR ROCKWith 100 watts of power and two custom 12-inch speakers, the Katana-100/212 delivers a commanding range of gig-worthy tones that gracefully slice through any band scenario. The amp also excels for home playing, with a uniquely efficient design and innovative Power Control that provides inspiring sound and response at low volumes. In addition, the Katana-100/212 includes integrated access to a huge range of BOSS effects, which are customizable using the free BOSS Tone Studio editor software. And with the amp’s powerful Tone Setting memories, you can store your favorite amp channel setups and effects combinations for instant recall.
Katana Version 4: New Effects and Katana MkII Expansion Support
The Katana Version 4 update brings original Katana owners some great new features derived from the next-generation Katana MkII series. Heavy Octave, Stereo Delay, and Pan Delay effects have been added, along with a dedicated Pedal FX section that makes it easier to set up foot-controlled wah and pedal bend. In addition, a first-generation 100-watt Katana model can now be used as a slave amp with the Katana MkII’s powerful Stereo Expand feature, allowing you to create wide, expansive tones with stereo-compatible effects distributed across both amps.
About the Katana Amp Series
Katana—the traditional sword carried by the historic samurai of Japan—is a symbol of honor, precision, and artistry in Japanese culture. Adopting the majestic sword’s name with pride, the Katana series presents guitar amplifiers with smooth, cutting tones honed by generations of dedication and expertise. Born of the development process behind the acclaimed Waza amplifier, these innovative amps embody BOSS’s determined pursuit of the ultimate rock sound. Featuring proprietary circuit designs and meticulous tuning, the Katana series combines traditional craftsmanship and breakthrough functions to produce true next-generation rock amplifiers.
A Refined Amp with Inspiring Tone
Designed for guitarists who are serious about their sound, the Katana-100/212 offers exceptional tone and touch response for stage playing, recording, and simply practicing at home. A standout characteristic of every Katana amp is the dynamic interaction between its output section and the speaker, which provides the ultra-responsive musical experience that players crave. Going further, an expressive Cabinet Resonance function derived from the flagship Waza amps (accessible via BOSS Tone Studio) allows you to customize this interaction for your touch with three resonance types. Delivering class-defying power, authoritative punch, and cutting presence that stands shoulder-to-shoulder with high-end amp designs, the Katana-100/212 is ready to meet the needs of any playing situation.
Five Original Amp Characters, Honed for Rock Playing
Sharpened to perfection by the BOSS engineering team, the Katana-100/212’s five amp characters offer everything from organic vintage tones to modern high-gain sounds. Clean is natural and transparent, while Crunch offers satisfying grit and response. Lead has a wide gain range to suit many styles, from fat, stinging blues solos to fluid legato shredding. With DNA inherited from the Waza amp, Brown delivers refined high-gain tone sought after by the world’s greatest rock players. The Acoustic character further enhances the Katana’s versatility, providing optimized tone that makes acoustic-electric guitars sound stunningly natural.
Leave Your Pedalboard at Home
With its built-in BOSS effects, the Katana-100/212 lets you perform anywhere with just a guitar and amp. Connecting to BOSS Tone Studio via USB provides access to 65 fully customizable effects, and you can load your favorites into the amp’s various effects sections. Going beyond standard distortion, delay, and reverb, the selection includes effects types like pitch shifting, ring mod, slicer, and many more. Channel and global parametric EQs are available as well for powerful overall tone shaping.
Version 3 Effects and Control Features
Newly added with Version 3 are the Roland DC-30 Analog Chorus-Echo, BOSS GE-10 Graphic Equalizer, and 95E pedal wah effects types. These classics work great with any Katana amp character, but really dish up some special tonal magic when used in combination with the Brown character’s harmonically rich voice. The update also provides the ability to assign favorite parameters to the front-panel effects knobs, giving you greater flexibility for shaping your own unique effects tones on the fly. Additionally, you’re now able to control specific effects parameters from up to three expression pedals (connected via the rear panel and GA-FC foot controller), unlocking a new range of real-time command while performing.
Tone Settings: One-Touch Recall of Custom Amp and Effects Setups
One of the Katana-100/212’s most powerful features is the ability to store favorite amp channel and effects setups in Tone Setting memories for instant recall. After you’ve dialed in a sound with the panel controls, simply save it to the desired memory with a quick button hold. Eight Tone Settings (two banks of four) are available, and you can easily select them from the panel. It’s also possible to use an optional external footswitch for hands-free control on the gig.
Grab-and-Go Operation
While the Katana-100/212 includes many advanced features, it’s amazingly simple to operate. Familiar controls for gain, presence, and the three-band tone stack let you dial in sounds quickly, while essential effects parameters are adjusted with a simple knob twist. And with the convenient Power Control, you’re able to roll back the overall volume while retaining the expressive tone and feel of a cranked-up amp.
Ready-to-Mix Direct Tones with Air Feel
The Katana-100/212 features line, USB, and phones/recording outputs with mic’d cabinet emulation, allowing you to send mix-ready amp tones to a PA system, computer DAW, or headphones. Connecting to BOSS Tone Studio provides access to three different Air Feel settings, letting you shape the tonal character of the direct sound to suit any performance scenario. The Version 3 update further enhances the direct USB capabilities, offering true stereo sound with many of the Katana’s modulation, EQ, delay, and reverb effects, including the newly added DC-30 Analog Chorus-Echo.
BOSS Tone Central
At the BOSS Tone Central website, you’ll find numerous free amp and effects setups for the Katana series. Created by pro guitarists, these setups provide ready-to-play sounds for various music styles, and also make great starting points for building your own sounds. They load into the memories in a Katana amp via the BOSS Tone Studio editor software, which is also available at the site. In addition to Katana effects selection and customization, BOSS Tone Studio gives you a convenient way to organize all your Katana setups for different gigs, recordings, and practice sessions.
- Stage-ready 100-watt combo amp with two custom 12-inch speakers
- Five unique amp characters: Clean, Crunch, Lead, Brown (derived from the Waza amp), and Acoustic (for acoustic-electric guitars)
- Choose from a huge selection of customizable effects and effect routing configurations with the BOSS Tone Studio editor software
- Dedicated gain, EQ, presence, and effects controls for adjusting sounds quickly
- Eight Tone Setting memories for storing and recalling all amp and effect settings
- Power Control for achieving cranked-amp tone and dynamic response at low volumes
- Three Cabinet Resonance types for fine-tuning the tone and feel
- Mic’d cabinet emulation on the line, USB, and phones/recording outputs, with customizable tone via three Air Feel settings
- Channel and global parametric EQs for refined sound shaping
- Built-in tilt stand for optimal monitoring and sound projection
- Pro setups available at BOSS Tone Central
- Effects expanded to 65 total types; Heavy Octave, Stereo Delay, and Pan Delay added
- New Pedal FX section makes it easier to set up foot-controlled wah and pedal bend effects in BOSS Tone Studio
- Dedicated mode for using a 100-watt Katana model as a slave amp for the Katana MkII’s Stereo Expand feature
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4.4 ★★★★★
Based on 350 reviews
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Product Reviews
★★★★★ 5
A fine performance
Format: Paperback
You see an old pocket knife on the cover, maybe a Case; it may have even belonged to Jesse Graves, but he has certainly used it
in sculpting his poetry. "Tennessee Landscape" is pure plain speech, and all the more evocative for it. Graves uses language not to shock, not incite and not to transgress; he uses it to bring home simple and time worn truths that never go away. In the poem that is the book's title, Graves recounts his family history and ends telling us "The dead move through us at their will, their voices chime/just beyond our hearing...alone in the field, and never alone." He pays homage to a farming tool"(Elegy for a Hay Rake), not with a tone of jaundiced cynicism, speaking to it instead in a voice filled with thanks and appreciation, as if the hay rake, too,knew how worthwhile its job had been.
The second part of the volume expands Graves' geography from East Tennessee to New Orleans, North Carolina, points beyond, and the cast of subjects becomes a little broader as well, but the language remains firm and precise. "The Night Cafe: North Rendon, New Orleans": diction so perfect I feel I was there that night too. "My Sister at Sea": likely my favorite here. It feels personal, a short glimpse into a private heart; the glimpse is snatched away in a hurry but not before Graves tells us "...wishing I could bring/ you to this shore...Make your illness a small boat we could burn/Sailing out in ashes on the current."
Whether it is a landscape, a hay rake, a bar or a loved one, Jesse Graves is a poet of things that last, one who writes quiet confessions with confidence in a spare quiet and sure voice.
Very highly recommend this book.
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Reviewed in the United States on February 24, 2013
★★★★★ 5
Fine Contemporary Poetry--Just Happens to Be Appalachian
Format: Paperback
The poems in Jesse Graves' TENNESSEE LANDSCAPE WITH BLIGHTED PINE express an indebtedness to a way of life that we contemporary Appalachians have watched transform at an accelerated pace over the past few decades, as we see the beloved old ways of our culture adapt to the demands of a society marked with the pervasiveness of media, the incursion of corporate demands, and the poignant recognition that as much as family prepares us to face the world outside our community, the impact of that world can blur the impressions our homes have made on us. Graves' work approaches these themes from various directions, as a son looking to the legacy of his family, as a youth and young man balancing education--both formal and that gleaned from personal experience--and as a family man weighing what he shares and offers in embodying those values.
In this consistently fine volume, it is difficult to select favorites, but there are "River Gods," where an inebriated student and his companion cross the high railway trestle over the Tennessee River in Knoxville, Tennessee, "Deep Corner," where the speaker contemplates how his life has turned out differently than his brother's, "Mother's Milk," where the speaker weighs how much his mother has contributed to his life (including, sweetly, "an ear for slightly off-pitch singing"), and "Digging the Pond," where the speaker and his father silently acknowledge that the son will not preserve all his father's values:
. . . I stood off to the side too often
to learn what he was born knowing.
The doing and the undoing.
I can find in his face what he reads
about the future in the tea-colored water,
his eyes and mine trying to avoid it.
Graves' love for these gifts, those accepted and those only acknowledged, resonates throughout TENNESSEE LANDSCAPE WITH BLIGHTED PINE.
Graves' appreciation for lyric poetry, his talent for finding the expressiveness of everyday language, and his offering scenes with great depth of meaning and feeling make this collection memorable, worthy of high recommendation.
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Reviewed in the United States on December 30, 2011
★★★★★ 5
Extraordinary Journey
Format: Paperback
Jesse Graves conducts the reader on an intimate journey from childhood to manhood. Rooted deep in the rich red clay of East Tennessee, the narrative provides fresh insights about the ties of land and family. "Johnson's Ground" describes an annual homecoming at the family cemetery: "they never let us go, even the ones/Laid under before our births continue to make their claims." The poems express both nostalgia for the past as well as forward-looking hopes for a fresh life in the future. Daughter, Chloe often becomes a bridge from present to past as in "Water Washing Away": "A fair price for the vision of a girl/ who has warped the ancient spell of time,/ who has turned back my eyes." Tennessee Landscape with Blighted Pine is an enchanting read for poet and non-poet alike.
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Reviewed in the United States on February 10, 2013
★★★★★ 1
Go Read Art Smith or Charles Wright
Format: Paperback
This book is clearly the case of someone steeped in a lyric tradition, but, rather than engaging in the self-reflexive structure of the tradition, is interested in describing ad nauseum, his southern experience. While there are moments in the book that tend toward the sublime, it rests largely as self-indulgent in a way antithetical to the form it chooses.
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Reviewed in the United States on November 5, 2013
★★★★★ 5
Dr. G.
Format: Paperback
Jesse Graves (a.k.a. "Dr. G.") is one of my professors at East Tennessee State University. Not only is he a great teacher, he is a very talented poet. I would recommend his work to anyone! Anyone that does not like his work probably just failed his class. :p
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Reviewed in the United States on August 25, 2014
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